My Life is Wagner's expansive autobiography, tracing precarious youth, Parisian failures, the 1849 upheaval and exile, and the genesis of Rienzi, Tannhäuser, Lohengrin, Tristan und Isolde, and the Ring. Dictated in a theatrical cadence, it blends confession and apologia with deliberate myth-making: debts, flights, and sudden patronage are staged like scenes. He notes working methods, leitmotivic experiments, and the ideal of the Gesamtkunstwerk, alongside gossip and grievance. In the era's culture of artistic self-fashioning, it doubles as politics of memory, including troubling polemics and self-exonerations. Composer, conductor, and polemicist (1813-1883), Wagner wrote amidst upheaval: the Dresden uprising sent him to Zurich, where he forged theories and composed much of the Ring. Dependent on patrons-most fatefully King Ludwig II-and on Cosima's collaboration, he turned to autobiography in the mid-1860s to consolidate reputation, instruct adherents, and answer detractors. Dictated to Cosima and privately printed in limited copies before wider release, it mirrors Bayreuth's vow to bind art, life, and legacy. Read critically yet generously, My Life yields unmatched access to a working imagination: workshop detail for opera lovers, context for historians, and a case study in artistic self-fashioning. Essential for musicologists, performers, and readers of nineteenth-century culture. Quickie Classics summarizes timeless works with precision, preserving the author's voice and keeping the prose clear, fast, and readable-distilled, never diluted. Enriched Edition extras: Introduction · Synopsis · Historical Context · Author Biography · Brief Analysis · 4 Reflection Q&As · Editorial Footnotes.